Gateway of fabled 10th-century Islamic palace that was destroyed in 1010 unearthed in southern Spain

The lost gate of the fabled 10th-century Islamic palace-city Medina Azahara that was destroyed by fire during a civil war in 1010 has been unearthed in southern Spain.

The palace — whose name means ‘the shining city’ — was built as a symbol of power by Abd-al-Rahman III, the first Caliph of Córdoba, beginning around 936–940 AD.

Medina Azahara thrived for some seventy years before being sacked and burned by Berber rebels in an uprising that eventually saw the caliphate’s dissolution.

In the following centuries, the city’s ruins were plundered for the construction of other structures as far away as Marrakech. 

The site was first excavated in the 1910s, with efforts to date having only uncovered around 10 per cent of the massive complex — which is threatened by construction.

Researchers hope that the discovery of the gate will add to their understanding of the workings of the palace — in particular the parade ground that it opened on to.

The lost gate of the fabled 10th-century Islamic palace-city Medina Azahara that was destroyed by fire during a civil war in 1010 has been unearthed in southern Spain. Pictured, the remains of the mosque at Medina Azahara. One of the oldest of the city’s buildings, it was built on the lowest of the complex’s three terraced levels, outside of the walled precinct

The palace, pictured — whose name means 'the shining city' — was built as a symbol of power by Abd-al-Rahman III, the first Caliph of Córdoba, beginning around 936–940 AD

The palace, pictured — whose name means ‘the shining city’ — was built as a symbol of power by Abd-al-Rahman III, the first Caliph of Córdoba, beginning around 936–940 AD

Medina Azahara lies around four miles west of Córdoba in the foothills of the Sierra Morena, where it would have dominated the views from the surrounding plains.

‘The east gate stood on a porch that collapsed with the fire that destroyed the city,” said archaeologist Alberto Canto of the The Autonomous University of Madrid, who led the excavation.

‘Everything collapsed and so we found buried the remains of its tiles, wood, nails, beams, hinges and ornaments,’ he added.

Alongside the gate’s debris, the archaeological team also discovered charcoal believed to have come from the fire that destroyed the gateway. 

The lost gate is believed to be the entrance to the palace’s spacious parade ground — which was the size of two football pitches — where the caliph’s guard assembled.

Believed to have one stood at around two storeys high, the lost gate was built in a style similar to the doors of the Mosque–Cathedral of Córdoba, in Andalusia.

It is thought that the entryway would have been embedded in a plastered portico decorated with blue plant motifs

WHO WAS ABD-AL-RAHMAN III?

Pictured, Abd-al-Rahman III

Pictured, Abd-al-Rahman III

Abd-al-Rahman III was the first caliph of Córdoba, in Andalusia, and once a member of the Umayyad dynasty.

He ruled al-Andalus — the Muslim name for the Iberian peninsula during the Middle Ages — from 912–961.

He declared himself caliph — a step up from his previous title of emir — on January 16, 929, breaking allegiance with the Fatimid and Abbasid caliphs.

His reign was noted for its religious tolerance.

Abd-al-Rahman III was said to be wary of losing control of his caliphate and executed one of his sons in 949 for conspiring against him.

Medina Azahara thrived for some seventy years before being sacked and burned by Berber rebels in an uprising that eventually saw the caliphate's dissolution. Pictured, one of the intact porticoes found within the city

Medina Azahara thrived for some seventy years before being sacked and burned by Berber rebels in an uprising that eventually saw the caliphate’s dissolution. Pictured, one of the intact porticoes found within the city

The site was first rediscovered in the 1910s, with excavations to date having only uncovered around 10 per cent of the massive complex. Pictured, the so-called door of the prime minister within the city-palace

The site was first rediscovered in the 1910s, with excavations to date having only uncovered around 10 per cent of the massive complex. Pictured, the so-called door of the prime minister within the city-palace

Researchers hope that the discovery of the gate will add to their understanding of the workings of the palace, pictured — in particular the parade ground that the gate opened on to

Researchers hope that the discovery of the gate will add to their understanding of the workings of the palace, pictured — in particular the parade ground that the gate opened on to

THE LEGEND OF ZAHRA AND THE SNOW

Medina Azahara — whose name means ‘the shining city’ — the first Caliph of Córdoba as a symbol of his power. 

However, there is a legend that tells a slightly different story.

In this, the caliph named it Madinat az-Zahra — ‘The City of Zahra’ — after his favourite concubine, with a statue of her standing over the city’s entrance.

As the myth goes, despite all the luxuries afforded in the city named in her honour, Zahra eventually grew sad.

She told the caliph that she yearned to once again see the snow of the Sierra Nevada Mountains of her home in Granada.

Accordingly, the caliph had rows of almond trees closely planted in the city’s gardens.

When the white flowers of the trees blossomed in the spring, the petals dropping created the illusion of falling snow — and Zahra cried no more.

The Medina Azahara complex spanned around 250 acres of land, and is believed to have taken some 10,000 workers to build across its history.

Alongside the parade ground, the city featured administrative and governmental offices, barracks, baths, three gardens, a mint, mosques, reception halls, residences, schools, stables and workshops.

The heart of Medina Azahara was the reception hall, referred to as the ‘Salón Rico’, or ‘Rich Hall.

Historians believe that at the centre of the hall lay a pool filled with mercury that, when disturbed on cue by a servant, shone the sun’s reflected rays flashing across the walls and ceiling in a display like lightning — one that was used by the caliph to entertain his guests.

Water was supplied to the city by tapping into the remains of a 1st century Roman aqueduct — part of which was also repurposed as a sewer system. 

Medina Azahara was modelled after the old Umayyad palace in Damascus, a move intended to serve as a symbol of the connection between the caliph and his ancestors.

Medina Azahara lies around four miles west of Córdoba in the foothills of the Sierra Morena, southern Spain, where it would have dominated the views from the surrounding plains

Medina Azahara lies around four miles west of Córdoba in the foothills of the Sierra Morena, southern Spain, where it would have dominated the views from the surrounding plains

Between the palace-city’s first construction and Abd-al-Rahman III’s death in 961, the ruler is said to have spend a third of his caliphate’s annual revenue on developing the magnificent complex.

The caliphate of Córdoba covered much of the Iberian peninsula — and a breakaway from territories of the Umayyad dynasty, one of the world’s largest empires that spanned some 4.3 million square miles at its height and was centred on Damascus.

Medina Azahara has been a UNESCO World Heritage site since 2018, with the United Nations describing the caliphate city as a exemplar ‘of the now vanished Western Islamic civilisation of al-Andalus at the height of its splendour.’

The lost gate is believed to be the entrance to the palace's spacious parade ground — which was the size of two football pitches — where the caliph's guard assembled. Believed to have one stood at around two storeys high, the lost gate was built in a style similar to the doors of the Mosque–Cathedral of Córdoba, in Andalusia, one of which is pictured

The lost gate is believed to be the entrance to the palace’s spacious parade ground — which was the size of two football pitches — where the caliph’s guard assembled. Believed to have one stood at around two storeys high, the lost gate was built in a style similar to the doors of the Mosque–Cathedral of Córdoba, in Andalusia, one of which is pictured